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Sony Acid Pro 6 (Props to Lord Zero)
http://www.megaupload.com/?d=me85eas4
Here's the keygen for when you download it with the mp3 converter
http://www.mediafire.com/?dk5hmmmvmmk
Make sure you sign up to everything from a "different computer" with false info
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Remastered Vocals Wave (Props to Ezekial)
http://www.zshare.net/audio/5411457850bd65a7/ PLOO 1
http://www.zshare.net/audio/54116732441b5939/ PLOO 2
http://www.zshare.net/audio/541180106cf1bfbe/ PLOO 3
http://www.zshare.net/audio/54119913e26ef4a1/ PLOO 4
http://www.zshare.net/audio/5414091940f1b74e/ PLOO 5
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Remastered Vocals MP3 (Props to Ezekial)
http://www.zshare.net/download/53969857b5300266/
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Acid File with vocals split into bars (Props to Ezekial)
http://www.zshare.net/download/54324440f21d65ea/
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PLoo Lyrics Spreadsheet (Props to Ferdowsi)
Info: all vocal layers placed side by side on a Microsoft Spreadsheet file
http://www.mediafire.com/?wznzollyy5m
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Vocals Chopped into Couplets (Props to KG)
Vocal 1
ftp://ftp.homiciderecords.net/canibus/PLI...plets/vocal%201
Vocal 2
ftp://ftp.homiciderecords.net/canibus/PLI...plets/Vocal%202
Vocal 3
ftp://ftp.homiciderecords.net/canibus/PLI...plets/vocal%203
Vocal 4
ftp://ftp.homiciderecords.net/canibus/PLI...plets/Vocal%204
Vocal 5
I will reup
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ploo tool by DJ Karma Infinite
Dj KI - PLoo Text + MP3 Audio Couplet "WordPad" Program !!! All 1000 Bars of Audio + Text + Search Canibus PLoo Word Finder !!!
Zshare : http://www.zshare.net/download/52528520d7d1bc60/
Mixers the 230 mb Rar i have uploaded ^ is the ultimate PLoo tool. As we all know KG uploaded the PLoo text and chopped the untagged acapella into couplets (1 couplet = 2 bars). I just combined the 2 and formed 1 program that saved me 2 hours on my Hero 2 verse compared to the 4+ hours it took me on Hero 1. I enlarged KG text so its easier to read and split the text in 5 wordpad files and added couplet audios to them. This took me a week to do so please download it. Just read the text and the corrusponding audio will be beneath it ! Some of KG couplets were blank, however i have still managed to keep the correct audio underneath the text your reading. Here are the rules to make this program work, if you do not follow them you will have errors or worse yet the program might not work at all. I wish i did this almost 2 years ago =) Props goto KG for most of the work and Masked Manson for inspiring me to do this...Instructions :
1) You must have WINDOWS XP
2) You must have "WORDPAD" in windows xp, if not just download it online
3) You must have WINAMP or REAL PLAYER or Win Media or any MP3 AudioPlayer, if not download it online
4) You must keep all files in the folder AFTER its extracted, do not delete anything in the folder
5) You must keep extracted folder ON YOUR DESKTOP or else a "path error" will occur
6) Then simply go into folder and double click the wordpad RTF files labeled PLoo text 1 through 5 on bottom of folder
Just read a couplet text, play its mp3 audio under it and drag it in your mixing program - to drag into Acid or any other program simply press "Ctrl" + left click mouse and drag it in. If you cant drag it, then just record it with your cpu audio recorder. I found the best program to smooth edit Bis words is Audacity, the "microscope" zoom feature will enable you to chop words perfectly. Download time for DSL or Wireless is 10 minutes, maybe less. Feedback please...P.S. if your wondering why Cre8 "OONTT PLoo 55 Minute Mix" is in program its cuz i use it to layer my audio plus it will give the rookies an idea how the PLoo veterans mixed PLoo in early 2007, to me Cre8 mix is THE official remix. Peace CC... alien3.gif
I PROMISE THIS PROGRAM WILL SAVE YOU HOURS ON YOUR PLoo VERSES !!!
ALL RIPPERS DOWNLOAD THIS PROGRAM, ITS WORTH IT - I USE IT NOW !!!
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Easy Instructions :
01 Just open the rtf PLoo Lyrics 1-5 vocals text files located at bottom of extracted folder, hit "Ctrl" + F to search for words
02 Play audio file directly underneath the couplet of the word you typed in
03 Drag that couplet audio in your mixing program by hitting "Ctrl" + Left Mouse Button, then chop it in your mixing program =)
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PLoo torial (Props to Omni3 and JVLN FNGZ)
ok d/l the drill kills acid pro 6 file extract with winrar and double click to open in acid pro 6 or 5.
it will ask for the vocal 2 so browse and find it to load it up in acid 5/6
make sure the tempo for vocal 2 is set to 87.000 beatmapped if its o.k every thing is good.
now if you have a beatmapped beat make sure the first kick of the beat starts at point . ----- 9.1
if everything is good it should all be on beat.
below is a set of screen shots to help out
i will post more as they are done.
kill drills acid file ((NEW!))
http://www.zshare.net/download/208937316a4017/
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I took some helpful screencaps a while back, never posted them. They might be of use. Bear in mind that this is just the way I do things, it's probably not the best or easiest method to use:
The bpm figure here is the Master bpm. This is the tempo that the project is set to. In that shot it's set to 95bpm, so if you add the PLOO vocals (87bpm), they'll be sped up to 95bpm.
Take your beat, and it should ask you if you want to run the Beatmapper wizard. If it doesn't, go into View > Clip Properties, set the ACID Type to Beatmapped, then click the Stretch tab and hit Beatmapper Wizard. The Beatmapper Wizard looks like this:
You need to find the first downbeat (because ACID usually gets it wrong). This is usually where the first drum hit is, where the actual beat kicks in. I'm using GZA's "4th Chamber" track, and you can see that the downbeat here is the first peak, but that's not always the case. Use the play button to make sure that you've found the right downbeat.
Once you've found the downbeat, hit next. ACID will try to find the length of a measure (it gets this wrong a lot too). The measure is basically equivalent to one bar, in terms of the vocals
The grey lines are the beats, since the time signature is 4/4 ("four beats to the measure"). These beats will usually fall on another peak, as they do in this example. You can change the length of the measure by dragging the boundaries of the shaded area. The play button will loop the shaded section, and if you have the measure correct then it should sound pretty smooth. This is what an accurate measure sounds like. You can tell that the metronome hits as the drums do. Compare that to this and this, where you can hear that the metronome comes in before and after the drum, respectively.
If you're struggling to find the length of the measure, it sometimes helps to stretch the boundary out until the track basically repeats itself. Some tracks just repeat after 4 beats, some repeat after 8. In the case of this beat, the sample over the top of the drums lasts 8 beats before it repeats. You can click on the "x2" or "divide by 2" buttons to halve or double the length of the measure.
You can zoom in on the waveforms for greater accuracy. You should be able to notice when the peaks start, and you can set the downbeat to that point. The last beat of the measure is the next downbeat, so it should look somewhat similar to the first downbeat. If you make sure the beats fall in the same place, the loop accuracy should be good.
Hit next, and you'll be able to go through each of the measures in the track. Use the slider or the arrows to go through them, and make sure that each of the beats (the vertical lines marked 1.1, 1.2, 1.3, 1.4; 2.1, 2.2, 2.3, 2.4 etc.) fall on peaks. Again, if you play it back then it should loop relatively smoothly. It's common for the track to "drift" off-beat as it goes along, so you just need to drag the right hand boundary until the vertical lines match up properly with the drums. This is especially important if you're making a long blend, because otherwise it will start out on-beat and gradually become off-beat.
Once you've done that, you're finished. The wizard will give you three boxes. Ticking the top box will change the Master bpm to match the bpm of that track, the middle box will ensure that the pitch of the track is the same even when the master bpm is higher or lower than the track's bpm (if you untick it and then put the PLOO vocals in a project with a Master bpm of 95, he'll sound like a chipmunk). The bottom box saves the bpm with the file, so that the next time you load it you won't have to beatmap it all over again.
Now use the draw (pencil) tool to draw in the track, and add the PLOO vocals. You don't need to beatmap them. Go into View > Clip Properties, set the ACID Type to Beatmapped, then click the Stretch tab and change the Original Tempo to 87.000. Draw in the PLOO vocals, cut out the long gap at the beginning and find the point at which the first beat should come in. It's not always obvious, so you need to use trial and error. Using Vocal 1 as an example, should the first beat come in at "I got bored with four beats to the measure", or "I got bored with four beats to the measure"? Trial and error tells you it's the latter. If you align it right, you should notice that each bar starts on a beat (so when Canibus says "started with a hundred", the word "started" comes just as the drum hits).
Adjusting the Master bpm will change the tempo of the whole thing. Changing it too much will sound really bad, but you can get away with it to an extent. Once you get to around 96 bpm, Canibus starts to rap like Twista. And playing beats at too low a tempo will make them sound really sluggish. So try and use beats that are around 87bpm.
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